Posted on August 29th, 2005
The 200e Modular Synth.
On this week’s podcast from Science Friday, Ira Flatow hosted a segment about Remembering Bob Moog. Check out the article or listen to the mp3 download. Some of the highlights are discussed below. The guest on the show was Lawrence Fritts, who is the director of the Electronic Music Studios at The University of Iowa.
He pointed out that there was actually simultaneous development of the first voltage controlled modular synthesizer at the same time as Bob Moog was working on the Moog Modular. On the other side of America, Don Buchla was busy with his own modular synth creation. Buchla and Moog had agreed to share credit for the development of the modular synth. A quick peak of Buchla’s site, I found this gem, the 200e Electric Music Box.
Podcast: Download (6.8MB)
Posted on August 22nd, 2005
Bob Moog, known as the “father of the synthesizer,” passed away at the age of 71 at his home in Asheville, N.C. yesterday evening. Moog was diagnosed with brain cancer this April and was undergoing radiation treatment and chemotherapy. News spread in late July about his battle with cancer.
You would be hard pressed to find an electronic musician who didn’t admire Bob Moog or respect everything he did not only for the electronic music community, but, music in general. Moog synthesizers have been used by very big artists including, but not limited to: The Beatles, Pink Floyd, The Beach Boys, Depeche Mode, Trent Reznor, Stevie Wonder, Herbie Hancock, Phil Collins, Frank Zappa etc.
Posted on August 17th, 2005
I was listening to Living on Earth, which is a podcast focused on Sound Journalism, and thought this was awesome. David Dunn does microrecordings and had a segment on Living On Earth which documented the sounds of a beetle infestation in a piñon tree.
David Dunn, stands nearby at the edge of a grove of needleless, dead gray piñon that look like the backdrop for a Halloween play. Like me, he wears headphones and has a recording machine slung on his shoulder. But the device connected to his recorder is a microphone like none I’ve ever seen.
Posted on June 27th, 2005
Click here to see the rest of the work.
Posted on March 3rd, 2005
Add Blue Distortion to the list of “journalists critiquing his first eight bars.” The Fast Cars, Danger, Fire and Knives EP is Aesop Rock’s latest addition to the independent label Definitive Jux’s ever growing collection of mind expanding, eclectic hip hop. We can continue to hear Aesop progress into something new and fresh, following closely to the electronic and obscure sound of Bazooka Tooth. While there are only 7 songs on the EP, it includes an 88-page book highlighting all of Aesop Rock’s lyrics from Float to Fast Cars. The phrase “Now it takes a dancing bear jumping through flaming hoops to even make em buy the god-forsaken single!” from the Daylight EP comes to mind.